Theory & Criticism
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---. Unpopular Culture: Transforming the European Comic Book in the 1990s. Toronto: U of Toronto P, 2007. Print.
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Bingham, Dennis. Whose Lives Are They Anyway?: The Biopic as Contemporary Film Genre. Rutgers UP, 2010. Print.
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Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge, MA: Harvard UP, 1984. Print.
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---. The Field of Cultural Production: Essays on Art and Literature. Trans. Randall Johnson. New York: Columbia UP, 2004. Print.
Boyden, Joseph. Louis Riel and Gabriel Dumont. Toronto: Penguin, 2010. Print.
Braz, Albert. The False Traitor: Louis Riel in Canadian Culture. Toronto: U of Toronto P, 2003. Print.
Bredehoft, Thomas A. “Style, Voice, and Authorship in Harvey Pekar’s (Auto)(Bio)Graphical Comics.” College Literature 38.3 (2011): 97–110. Project MUSE. Web. 10 Sept. 2013.
Browne, Janet. “Making Darwin: Biography and the Changing Representations of Charles Darwin.” Journal of Interdisciplinary History 40.3 (2010): 347–373. Print.
Bruyneel, Kevin. “Exiled, Executed, Exalted: Louis Riel, Homo Sacer and the Production of Canadian Sovereignty.” Canadian Journal of Political Science 43.3 (2010): 711-32. ProQuest. Web. 23 Sep. 2013.
Buhle, Paul. “Toward the Understanding of the Visual Vernacular: Radicalism in Comics and Cartoons.” Rethinking Marxism 18.3 (2006): 367,381,469. ProQuest. Web. 23 Sep. 2013.
Chaney, Michael A. “Drawing on History in Recent African American Graphic Novels.” MELUS 32.3 (Fall 2007): 175-200. Print.
---. Graphic Subjects Critical Essays on Autobiography and Graphic Novels. Madison, WI: University of Wisconsin Press, 2011. Print.
---. “Slave Memory Without Words in Kyle Baker’s Nat Turner.” Callaloo 36.2 (2013): 279–297. Print.
Chow, Rey. “On the Graphic in Postmodern Theoretical Writing.” Twentieth Century Literature 57.3-4 (Fall-Winter 2011): 372-79. Academic OneFile. Web. 23 July 2014.
--- and Paul Bowman. The Rey Chow Reader. New York: Columbia UP, 2010. Print.
Chute, Hillary L. “Comics as Literature?” PMLA 123.2 (2008): 452-65. Print.
---. Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press, 2010. Print.
---. and Marianne DeKoven. “Introduction: Graphic Narrative.” Modern Fiction Studies 52. 4 (Winter 2006): 767-82. Print.
Clifford, James L. Biography as an Art: Selected Criticism, 1560-1960. New York: Oxford University Press, 1962. Print.
Codell, Julie. “Nationalizing Abject American Artists: Jackson Pollock, Lee Krasner, and Jean-Michel Basquiat.” a/b: Auto/Biography Studies 26.1 (2011): 118–137. Print.
---. “Serialized Artists’ Biographies: A Culture Industry in Late Victorian Britain.” Book History 3.1 (2000): 94–124. Project MUSE. Web. 11 Sept. 2013.
Coleman, Jenny. “Vested Interests: The Con Artist, the Historian, and the Feminist Biographer.” a/b: Auto/Biography Studies 25.1 (2010): 18–31. Project MUSE. Web. 11 Sept. 2013.
Comentale, Edward, “’Thought I Had Your Heart Forever’ or the Modernity of Early Country Music.” Journal of Popular Music Studies 20.3 (2008): 211-39. Print.
Costello, Brannon and Quiana J. Whitted, eds. Comics and the U.S. South. Jackson, MS: U P of Mississippi, 2012. vii-xvi. Print.
Couser, G. Thomas. Vulnerable Subjects: Ethics and Life Writing. Ithaca: Cornell UP, 2004. Print.
Crawford, T. Hugh. “Glowing Dishes: Radium, Marie Curie, and Hollywood.” Biography 23.1 (2000): 71–89. Project MUSE. Web. 10 Sept. 2013.
Curie, Eve, and Vincent Sheean. Madame Curie: A Biography. Garden City, N.Y.: Doubleday, Doran & Co., 1937. Print.
Custen, George F. Bio/Pics: How Hollywood Constructed Public History. Rutgers UP, 1992. Print.
Cvetkovich, Ann. “Drawing the Archive in Alison Bechdel’s Fun Home.” Women's Studies Quarterly 36.1 (2008): 111-28. ProQuest. Web. 23 Sep. 2013.
Davis, Rocio. “Locating Family: Asian Canadian Historical Revisioning in Linda Ohama's Obaachan's Garden and Ann Marie Fleming's The Magical Life of Long Tack Sam.” Journal of Canadian Studies 42.1 (2008): 1-22. Print.
de Certeau, Michel. The Practice of Everyday Life. Berkeley, U of California P, 1984.
Duffy, Damian, and John Jennings. Black Comix: African American Independent Comics, Art and Culture. New York: Mark Batty, 2010. Print.
Dyer, Richard. Heavenly Bodies: Film Stars and Society. New York and London: Routlege, 2003. Print.
Eakin, Paul John. The Ethics of Life Writing. Ithaca, NY: Cornell UP, 2004.
Earle, Harriet E. “My Friend Dahmer: The Comic as Bildungsroman.” Journal of Graphic Novels and Comics (2014). Taylor and Francis Online. Web. 12 Sep. 2014.
Edel, Leon. Literary Biography. Toronto: U of Toronto P. 1957. Print.
Eisner, Will. Comics and Sequential Art. New York: Norton, 2008. Print.
---. Graphic Storytelling and Visual Narrative. New York: Norton, 2008. Print.
El-Refaie, Elisabeth. Autobiographical Comics: Life Writing in Pictures. UP of Mississippi, 2012. Print
Elms, Alan C. Uncovering Lives: the Uneasy Alliance of Biography and Psychology. New York: Oxford University Press, 1994. Print.
Elmwood, Victoria A. “’Happy, Happy Ever After”: The Transformation of Trauma Between the Generations in Art Spiegelman’s Maus: A Survivor’s Tale.” Biography 27.4 (2004): 691-720. ProQuest. Web. 23 Sep. 2013.
Epstein, William H. Contesting the Subject: Essays in the Postmodern Theory and Practice of Biography and Biographical Criticism. West Lafayette, IN.: Purdue UP, 1991. Print.
---. “Introduction: Biopics and American National Identity—Invented Lives, Imagined Communities.” a/b: Auto/Biography Studies 26.1 (2011): 1–33. Project MUSE. Web. 11 Sept. 2013.
Fara, Patricia. “Framing the Evidence: Scientific Biography and Portraiture.” The History and Poetics of Scientific Biography. Ed. Thomas Söderqvist. London: Ashgate, 2007. 72-91. Print.
Fuller, Jennifer. “Dangerous Fictions: Race, History, and King.” Cinema Journal 49.2 (2010): 40–62. Project MUSE. Web. 10 Sept. 2013.
Gardner, Jared. “Autography’s Biography, 1972-2007.” Biography 31.1 (Winter 2008): 1-26. Project MUSE. Web. 10 Sept. 2013.
---. Projections: Comics and the History of 21st-century Storytelling. Redwood City, CA: Stanford UP, 2012.
Genette, Gérard. Narrative Discourse: An Essay in Method. Ithaca, NY: Cornell UP, 1980. Print.
Gilman, Sander L. Difference and Pathology: Stereotypes of Sexuality, Race, and Madness. Ithaca, NY: Cornell UP, 1985. Print.
Gilmore, Leigh. The Limits of Autobiography: Trauma and Testimony. Ithaca, NY: Cornell UP, 2001. UP.
Goldsby, Jacqueline Denise. A Spectacular Secret: Lynching in American Life and Literature. Chicago: U of Chicago P, 2006. Print.
Goldsmith, Barbara. Obsessive Genius: The Inner World of Marie Curie. New York: W.W. Norton, 2005. Print.
Grace, Dominick. Chester Brown: Conversations. UP of Mississippi, 2013. Print.
Groensteen, Thierry. The System of Comics. Jackson: University Press of Mississippi, 2007. Print.
Hales, Peter B. “The Atomic Sublime.” American Studies 32.1 (Spring 1991): 5-31. JStor. Web. 22 Jul. 2014.
Hall, Stuart. “Notes on Deconstructing the ‘Popular.’” People’s History and Socialist Theory. Ed. Raphael Samuel. London: Routledge, 1981. 227-40. Print.
Hamilton, Nigel. Biography: a Brief History. Cambridge, MA.: Harvard UP, 2007. Print.
Hansen, Bert. “Medical History for the Masses: How American Comic Books Celebrated Heroes of Medicine in the 1940s.” Bulletin of the History of Medicine 78.1 (2004): 148–191. Project MUSE. Web. 10 Sept. 2013.
Hatfield, Charles. Alternative Comics: An Emerging Literature. Jackson: UP of Mississippi, 2005. Print.
---. “Comic Art, Children’s Literature, and the New Comic Studies.” The Lion and the Unicorn 30.3 (2006): 360–382. Project MUSE. Web. 11 Sept. 2013.
---. and Craig Svonkin. “Why Comics Are and Are Not Picture Books: Introduction.” Children’s Literature Association Quarterly 37.4 (2012): 429–435. Project MUSE. Web. 11 Sept. 2013.
Hathaway, Rosemary V. "Reading Art Spiegelman's Maus as Postmodern Ethnography." Journal of Folklore Research 48.3 (2011): 249-67. ProQuest. Web. 23 Sep. 2013.
Hayton, Christopher J. and David L. Albright. “The Military Vanguard for Desegregation: Civil Rights Era War Comics and Racial Integration.” ImageTexT: Interdisciplinary Comics Studies 6.2 (2012). Web. 27 Nov. 2012.
Hecht, David K. “A Nuclear Narrative: Robert Oppenheimer, Autobiography, and Public Authority.” Biography 33.1 (2010): 167–184. Project MUSE. Web. 10 Sept. 2013.
Heilbrun, Carolyn G. Writing a Woman’s Life. New York: Norton, 1988. Print.
Highmore, Ben. Ordinary Lives: Studies in the Everyday. London: Routledge, 2010. Print.
Hirsch, Marianne. Family Frames: Photography, Narrative, and Postmemory. Cambridge, MA: Harvard UP, 1997. Print.
---. The Generation of Postmemory: Writing and Visual Culture After the Holocaust. New York: Columbia UP, 2012. Print.
--- and Leo Spitzer. “The Witness in the Archive: Holocaust Studies/Memory Studies.” Memory Studies 2.2 (2009): 151-170. SAGE. Web. 11 Aug. 2014.
Holloway, David, and John Beck. American Visual Cultures. New York: Continuum, 2005. Print.
Howard, Sheena C. and Ronald L. Jackson II. Black Comics: Politics of Race and Representation. London: Bloomsbury, 2013. Print.
Huyssen, Andreas. “Of Mice and Mimesis: Reading Spiegelman with Adorno.” New German Critique: An Interdisciplinary Journal of German Studies 81 (2000)
Ingham, John N. “Managing Integration: Clemente, Wills, ‘Harry the Hat,’ and the Pittsburgh Pirates’ 1967 Season of Discontent.” NINE: A Journal of Baseball History and Culture 21.1 (2012): 69–102. Project MUSE. Web. 10 Sept. 2013.
Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham, NC: Duke UP, 1991. Print.
Jones, Matthew T. “Reflexivity in Comic Art.” International Journal of Comic Art. (Spring 2005): 270-86. Print.
Kelly, Cynthia C., ed. Remembering the Manhattan Project: Perspectives on the Making of the Atomic Bomb and its Legacy. New Jersey: World Scientific, 2006. Print.
Kendall, Paul Murray. The Art of Biography. New York: Norton, 1965. Print.
King, Coretta Scott. My Life with Martin Luther King, Jr. New York: Holt, Rinehart and Winston, 1969. Print.
King, Martin Luther, and Clayborne Carson. The Autobiography of Martin Luther King, Jr. New York: Grand Central, 2001. Print
Kourany, Janet A. The Gender of Science. Upper Saddle River, N.J.: Prentice Hall, 2002. Print.
Lacan, Jacques. "The Split between the Eye and the Gaze." 1964. The Four Fundamental
Concepts of Psychoanalysis. Trans. Alan Sheridan. New York: Norton, 1978. Print.
Latour, Bruno. “Drawing Things Together.” Representation in Scientific Practice. Eds. Michael E. Lynch and Steve Woolgar. Cambridge, MA: MIT P, 1990. 19-68. Print.
--- and Steve Woolgar. Laboratory Life: The Social Construction of Scientific Facts. Princeton: Princeton UP, 1979. Print.
Lefèvre, Pascal. “Some Medium-Specific Qualities of Graphic Sequences.” SubStance 40.1 (2011): 14-33. Project Muse. Web. 14 Aug. 2014.
Lesk, Andrew. “Redrawing Nationalism: Chester Brown’s Louis Riel: A Comic Strip Biography.” Journal of Graphic Novels and Comics 1.1 (2010): 63-81. Taylor and Francis Online. Web. 19 Aug. 2013.
Levine, Michael G. “Necessary Stains: Spiegelman's Maus and the Bleeding of History.” American Imago 59.3 (2002): 317-41. ProQuest. Web. 23 Sep. 2013.
Lupo, Jonathan, and Carolyn Anderson. “Off-Hollywood Lives: Irony and its Discontents in the Contemporary Biopic.” Journal of Popular Film & Television 36.2 (2008): 102-11. ProQuest. Web. 23 Sep. 2013.
McCloud, Scott. Understanding Comics: The Invisible Art. New York: HarperPerennial, 1994. Print.
Marshall, Lee, and Isabel Kongsgaard. “Representing Popular Music Stardom on Screen: The Popular Music Biopic.” Celebrity Studies 3.3 (2012): 346–361. Taylor and Francis+NEJM. Web. 11 Sept. 2013.
Middlebook, Diane. “The Role of the Narrator in Literary Biography.” South Central Review 23: 3 (Fall 2006): 5-18. Print.
Miller, Patrick B, and David Kenneth Wiggins. Sport and the Color Line: Black Athletes and Race Relations in Twentieth-century America. New York: Routledge, 2004. Print.
Mitchell, W.J.T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: U of Chicago P, 1994.
Monk, Ray. Robert Oppenheimer: A Life Inside the Center. New York: Anchor, 2014. Print.
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Mullins K. “Questioning Comics: Women and Autocritique in Seth’s It’s a Good Life, If You Don’t Weaken.” Canadian Literature 203 (2010): 11–27. Print.
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Ngai, Sianne. Ugly Feelings. Cambridge, MA: Harvard UP, 2005.
Ní Dhúill, Caitríona. “Towards an Antibiographical Archive: Mediations Between Life Writing and Metabiography.” Life Writing 9:3 (2012): 279-289. Print.
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Pauwels, L. Visual Cultures of Science: Rethinking Representational Practices in Knowledge Building and Science Communication. Hanover, N.H.: UP of New England, 2006. Print.
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Raiford, Leigh. “Photography and the Practices of Critical Black Memory.” History and Theory 48 (Dec. 2009): 112-29. Print.
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Reid, Jennifer. Louis Riel and the Creation of Modern Canada : Mythic Discourse and the Postcolonial State. Albuquerque : U of New Mexico P, 2008. Print.
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---. The Politics of the Visible in Asian North American Narratives. University of Toronto Press, 2004. Print.
---. Unfastened: Globality and Asian North American Narratives. Minneapolis: University of Minnesota Press, 2010. Print.
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Zwonitzer, Mark, and Charles Hirshberg. Will You Miss Me When I’m Gone?: The Carter Family and Their Legacy in American Music. New York: Simon & Schuster, 2002. Print.